Posts in "Excerpts" Category — Page 7

Untitled II

A house is all right for a man to work in. He brings his work into the house, a place is cleared for it; the house rearranges itself as best it can around him. Everybody recognizes that his work exists. He is not expected to answer the telephone, to find things that are lost, to see why the children are crying, or feed the cat. He can shut his door. Imagine (I said) a mother shutting her door, and the children knowing she is behind it; why, the very thought of it is outrageous to them. A woman who sits staring into space, into a country that is not her husband’s or her children’s is likewise known to be an offence against nature. So a house is not the same for a woman. She is not someone who walks into the house, to make use of it, and will walk out again. She is the house; there is no separation possible.

~Alice Munro, Dance of the Happy Shades

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“You’ve got to write again,” he said.
“Just as daisies bloom as daisies
and roses bloom as roses—
you must bloom as a writer
and I must bloom as a painter.
Everything else about us is uninteresting.”
~Kurt Vonnegut, Mother Night.

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“Marriage”

I must have decided wrongly, because I am not at peace.

I made the decision myself, but I can also decide otherwise.

I want to decide otherwise, because I want to be at peace.

I do not feel guilty, because the Holy Spirit will undo all the consequences of my wrong decision if I will let Him.

I choose to let Him, by allowing Him to decide for God for me.
~A Course in Miracles

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Wounded

For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when Fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman’s love is to shatter her pride, to violate her modesty. The man who rejects a woman’s advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed to him her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman’s love, he takes a load of guilt upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off!
― Stefan Zweig, Beware of Pity

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The Reasons Why

And why don’t you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven’t written. (And why I didn’t write before the age of twenty-seven.) Because writing is at once too high, too great for you, it’s reserved for the great-that is, for “great men”; and it’s “silly.” Besides, you’ve written a little, but in secret. And it wasn’t good, because it was in secret, and because you punished yourself for writing, because you didn’t go all the way; or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.

~Hélène Cixous, “The Laugh of Medusa”

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